“Making of Eve Clone I””Portrait of Eve Clone”‘Like Too Loud a Solitude’ (2016)

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  • December 17,2016 to February 12, 2017
  • B1,MoNTUE

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Dances with the Times—40 Years of Artist and Contemporary Art in Taiwan

About this Exhibition

由藝術家共組營運的新樂園藝術空間,從1995年成立至今已邁入20年。此次新樂園藝術空間與北師美術館共同策劃《類似過於喧囂的孤獨─新樂園20年紀念展》,以「辦桌」象徵百餘位成員藝術家的團圓與傳承,紅色辦桌上展示新樂園自成立以來的歷史文件與檔案;更邀請歷屆新樂園藝術家於展覽中展出曾經在新樂園展出的系列作品,呈現新樂園二十年來發展的縮影。 觀眾可依循展覽跨越三個不同世代藝術家作品與藝術檔案,發掘在這二十年間,隨著時代展現的各種風貌!一同親身體驗新樂園二十年,共同經歷這場歷史性的藝術盛宴。

Artists

王雅慧、吳宇棠、李依樺、林建忠、林珮淳、林純如、林蓓菁、范晏暖、唐唐發、席時斌、徐洵蔚、張正仁、梅丁衍、郭博州、郭慧禪、陳一凡、陳文祥、陳怡潔、陳松志、陳建北、曾鈺涓、黃位政、萬一一、廖堉安、蔡玨玲、蔡海如、蕭筑方、簡福鋛、蘇孟鴻、蘇匯宇 及第一期至第十一期成員

Art Works

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  • Portrait of Eve Clone
  • 3D Hologram, Acrylic Frame, Spotlight
  • 46×57.5x4cm each piece
  • 2010 – 2012

In the series of ‘Portrait of Eve Clone’, the facial images of human-cocoon and human-beast are created by 3D animation. In the forehead there are beast number ‘666’ in Chinese, English, Arabic, Egyptian, etc. As the Revelation depicts, He causes all, the small and the great, the rich and the poor, and the free and the slave, to be given marks on their right hands, or on their foreheads; (Revelation 13:16). Through the high-tech hologram and black acrylic frame, the gesture and the gaze of Eve Clone are shown at various angles. When a viewer looks at the portrait to his left or right, he will, surprisingly, find her gaze back at him. Behind the beautiful look lurks a crisis of temptation.
It is to symbolize that the attractive technology created by human beings turns out to be a counterattack on human beings themselves. This work gives us introspection, that human beings challenge God’s originality with technology, and will eventually face the fate of being manipulated by technology.

Art Works

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  • 3D Digital Print、Projector3D、Animation、Digital Sound
  • 10:00
  • 2016

林珮淳在多年來所完成的「夏娃克隆」系列,乃以聖經《啟示錄》記載的「巴比倫大淫婦」與《但以理書》的「大偶像」來形塑這誘人的產物與被崇拜的偶像。主要是以3D動畫模型、電腦算圖與互動科技介面來展現它所具有人工虛擬生命(動態全像及生成的電腦程式)、複製性(電腦程式的延遲)、生命指數(電腦時間碼)以及與觀眾互動的即時性(互動程式與kinect 感應器)等,以批判人類肆無忌憚的發展科技挑戰神的原創,其後果反被科技所轄制。2016年林珮淳又開始另一系列的創作「夏娃克隆的創造計劃」,企圖以「夏娃克隆」原始的3D動畫繪製過程來喻表科技實驗的過程。以「夏娃克隆」原始網格及形變的每一步驟與回朔的過程,巧妙的與挪用的達文西手稿與素描作結合,揭示了達文西以藝術家探究人體的慾望其實與科學家挑戰神原創的企圖心相似,也將人類慾望底層的企圖心再現於「夏娃克隆的創造計劃 」的實驗過程中,討論了藝術與科技之間的聯想、對照與互文的關係。

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